The Rushdie Knighthood
Over at the Kenyon Review blog Sergei Lobanov-Rostovsky has written a provocative post reflecting on the implications of Salman Rushdie's knighthood and the revival of the fatwah. The reluctance of British conservatives to defend Rushdie is, he thinks, in part a reflection of the desire to make challenging literature safe:
It’s always been my feeling that the most important literature is that which challenges those “home truths,” and in so doing forces us to step outside the ideology of a particular cultural moment to see what lies beyond those self-imposed boundaries of belief and literary form that the theorist Hans Robert Jauss has termed our “horizon of expectation.” It’s hard to imagine a writer who has done that more successfully than Rushdie, particularly in a novel like The Satanic Verses, which recasts the opening scene of Milton’s Paradise Lost – that beautiful line about Satan “hurled headlong flaming from the ethereal sky” – with his illegal immigrant angel, Gibreel, and “buttony, pursed” devil, Saladin Chamcha, an East-Englishman whose soul is a monstrous hybrid of Indian memory and English aspirations, as shattered by its conflicting desires as the airplane from which he tumbles to earth after a terrorist bombing.
Here's the link.
